Girders in the shape of a cross, preserved from the wreckage of the World Trade Center, stand over the site of the attack.Photo and caption borrowed from Moments of Silence Mark 9/11 Anniversary on msnbc.com
Our life since adding one Chinese sister....I hope you enjoy the journey with us. Luci is a Yi Baby from Guizhou Province. Please note that this site uses cookies.
Girders in the shape of a cross, preserved from the wreckage of the World Trade Center, stand over the site of the attack.

Some other shots from this week:
JT and Troy figuring out a way to play air hockey when the game's out of order. Can't catch me!
All tucked in for a nap. This lasted maybe 30 seconds. Bryan wrapped her up well!
Where Luci does all her art work while the boys work on school lessons.


Yes, I think that we, as Americans are quite often too soft and wimpy when it comes to our work ethic.In the most extreme case, Beijing organizers revealed last week that Liu Yan, a 26-year-old dancer, was seriously injured during a July rehearsal. Shanghai media reported that she fell from a 10-foot stage and may be permanently paralyzed from the waist down.
Zhang, the ceremony's director, visited Liu in the hospital and has told Chinese media that he deeply regrets what happened to her _ but he has also defended the training schedule his performers endured.
He told the popular Guangzhou weekly newspaper Southern Weekend that only communist North Korea could have done a better job getting thousands of performers to move in perfect unison.
"North Korea is No. 1 in the world when it comes to uniformity. They are uniform beyond belief! These kind of traditional synchronized movements result in a sense of beauty. We Chinese are able to achieve this as well. Through hard training and strict discipline," he said. Pyongyang's annual mass games feature 100,000 people moving in lockstep.
Performers in the West by contrast need frequent breaks and cannot withstand criticism, Zhang said, citing his experience working on an opera performance abroad. Though he didn't mention specific productions, Zhang directed Tan Dun's "The First Emperor," starring Placido Domingo, at New York's Metropolitan Opera in 2006.
"In one week, we could only work four and a half days, we had to have coffee breaks twice a day, couldn't go into overtime and just a little discomfort was not allowed because of human rights," he said of the unidentified opera production.
"You could not criticize them either. They all belong to some organizations ... they have all kind of institutions, unions. We do not have that. We can work very hard, can withstand lots of bitterness. We can achieve in one week what they can achieve in two months."

